Research





[Poetics, 20th Century Poetry, Media Theory, Digital Studies, Material Text Studies, Remediation, Glitch Studies]


My research blends a study of poetry and poetics with work on digital and network cultures, material text studies, and media theory. I am particular interested in the ways methodologies of reading shift and proliferate across different media, formats, and genres. I believe that taking a materially invested approach to reading, and reading works that exist in forms across different media can reveal the underlying architecture of the media environments. Mapping this movement and examining the rapid hybridization of media creates a way to reimagining and reconsidering the networks of relations between humans and their technologies.





Articles and Essays



2024 (Forthcoming)

2023

2020


2018







2017




2016









2015
“Indexical Re-Reading: Tracing the Digital Archive of Vito Acconci. ASAP Journal.

“PODematerialization of the Book Art Object.” Bibliotech. Ed. Nathan Jones and Sam Skinner. Torque Editions, 2023.

“Capital-[[Anti]]Christ: A Demonology of Technocapitalism.” Alienist Magazine #7 Automatic Autonoma.

“Digital Decay,” DOCUMNT 2, ed. Matt Arnold and Anne Lippert.  

“Fanged Poetics: Preliminary Notes Towards a Dark Conceptualism.” Vast Abrupt.



“Helen Hess: M F X – The Voice in my Pocket.” Exhibition Catalogue Essay for The Measure of All Things: Rethinking Humanism Through Art. Department of Art Gallery, Buffalo, NY.


“E(x)ternalizing the interior.”  Exhibition Catalogue Essay for Inward Outward: Spontaneous Verberations. Silo City, Buffalo, NY.

“Digital Excess/Digital Waste/Digital Material,” Launched in Context: Seven Essays on the Archive. University at Buffalo Poetics Program. April 2016.


“Hysterically Real” Co-authored with Jon Rutzmoser. Conceptual Writing (plural and global) and other cultural Productions, ed. Divya Victor. Jacket2, February 5. 2015.







Lectures/Presentations



2017





2016





“’The Price is the Point’: Notes on Paparutzy’s Aesthetic Value Forms.” Ordinary Media Symposium: Always-On Formats, Genres, Aesthetics. Northwestern University.

“Complicit Poetics and Slacker Aesthetics.” Conceptualism and Post-Conceptualism Seminar. (The Next) 25 years Poetics Conference. University at Buffalo.

“Digital Excess/Digital Waste/Digital Material” Launched in Context Presentation at the Western New York Book Arts Center.





Dissertation
2020

The Fabrication of Fluidity
︎Glitch, Remediation, and the Protocols of Reading


My dissertation argues for a form of reading contemporary poetries that is attentive to the specificity of material conditions, noting aesthetic and technical glitches in varied textual environments. By turning towards the sites of transfer, recoding and remediation, it becomes possible to see the material workings of the larger cultural systems that texts are sourced from.











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